Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Buying the release, besides the two audio files listed below, you'll receive both standard and instrumental version of the song in 24 bit (super high quality), as well as three "stem files" of the instruments featured in the song: vocals, choirs, acoustic guitars, electric guitars together; baroque hurdy-gurdy, whistles, uilleann pipes together and lastly percussions together.
"The content of the poem is very simple, so much so that it can be summed up in one line: 'I have a presentiment that the woman I love (Beatrice) is about to die, and I am shocked'. But whether it is this - the next death of the woman we love - we only discover in the last verse. In fact, Dante complicates things by lowering his ideas and feelings about him in a rather mysterious 'story with characters'. It is certainly a dream, a vision, even if the poet exposes it as if it were a story that really happened, as if truly figures like Melancholy and Love could also exist outside the imagination."
Claudio Giunta (essayist, writer, philologist and historian of Italian literature)
March 2016, www.claudiogiunta.it
credits
released September 14, 2021
โ Samuele Anconelli
tin whistle, low whistle, uilleann pipes, bodhrรกn
โ Francesco Domenichetti
acoustic guitars, electric guitars
โ Francesco Ronchi
baroque hurdy-gurdy, idiophones, vocals, choirs
"Un dรฌ si venne a me Malinconia" has been composed by Francesco Domenichetti and arranged by Francesco Domenichetti and Francesco Ronchi, then recorded, and finally mixed and mastered by Francesco Ronchi at La Spelonca Studio in Imola (Italy).
All music and songwriting has been curated by Francesco Domenichetti, except for tin whistle, low whistle, uilleann pipes and bodhrรกn parts which have been arranged by Samuele Anconelli, and baroque hurdy-gurdy, idiophones and vocals parts that have been arranged by Francesco Ronchi.
Tin whistle, low whistle, uilleann pipes and bodhrรกn parts performed and recorded by Samuele Anconelli at his own home studio in Tossignano (Bologna), Italy.
Acoustic guitars and ambient fx parts performed and recorded by Francesco Domenichetti at his own home studio in London, United Kingdom.
Baroque hurdy-gurdy, idiophones, vocals and choirs parts performed and recorded by Francesco Ronchi at La Spelonca Studio in Imola (Bologna), Italy.
Artwork design build upon images in public domain, consequently edited by Francesco Ronchi. Cover picture has been designed by Dante Gabriel Rossetti circa in 1859-1860, while the faded image below the main picture has been designed by Jean Midolle in 1836 (he lived between XVIII and XIX Century) and is the Plate 36 of the third part of "Album du moyen-รขge," devoted to compositions involving ancient and modern lettering.
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